Nonformat

Shepley Bulfinch
Visuelt – Formula for Gold
The Chap – We Are The Best
Rick Owens – LIMO F/W 11
Merlin Carpenter – The Opening
Visuelt print
Visuelt (Drop Matrix) idents
The Sanahunt Times
Sanahunt Cultural Initiative
Black Devil Disco Club – Circus
Nokia Pure
Hatchback – Zeus & Apollo
Ben Butler & Mousepad
The Music’s All That Matters
+81 cover
Magnetic Man
David Bowie poster set
Seeland – How To Live
UK? OK!! poster/t-shirt
Milky Disco Three
Even Your Friend video
The Chap – Well Done Europe
Delphic
Dracula
Iida
Otto font
K-Swiss
IBM Smarter Planet
Gap (RED)
Peroxide
Computer Arts
Cent
LoAF – 01–12
LG
Greg Lynn FORM
Nike Football
Moog Acid
The Economist

Nike Basketball
Nike SPARQ Training
Varoom
Coke
Orange
The Wire
Planet of the Apes
Very ELLE
NY Times Style Magazine
Print
Yale University Art Gallery
Black Devil Disco Club
Stateless
Look At This
I’m New Here t-shirt
Healing Haiti t-shirt
Three Lions t-shirt
Browsing Copy
Make A Fuss
Merlin Carpenter – Relax
Hatchback – Colors Of The Sun
Cursor Miner – Danceflaw
Hellovon at Espeis
Fader
Kharma t-shirt
Vowels – The Pattern Prism
Omo – The White Album
Red Snapper – A Pale Blue Dot
Red Snapper
The Chap
Felt-Tip
Venice Biennale – Pompei
Back To Black
Hanne Hukkelberg
Norway One Hundred
Fjord Focus
Milky Globe
Asa-Chang & Junray
Barry 7’s Connectors
Love Song

Internship
Employment
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Design for Music
Typography & Fonts
History of Non-Format
Art Direction & Design
Design & Illustration
What would you say is the biggest change to illustration over the past 20 years?
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What will we see more of in the future, with regards to illustration?
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The introduction of the Apple Mac and applications such as Illustrator, Freehand and Photoshop have probably had the most fundamental impact on illustration over the past 20 years. In the late nineties it was Mac-embracing illustrators like Jasper Goodall, Stuart Patterson and Jason Brooks who helped transform illustration from being regarded as somewhat tired and unglamorous to become ultra-hip.
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More recently it’s the internet that’s having a hand in shaping the progress of illustration. In the past, most illustrators had to rely on agents to find them work. These agents tended to act as a filter between the client and the creativity, but now that a client (albeit the breed of client that is brave enough to bypass the agents) can find an illustrator’s work directly on the internet, some interesting and surprising collaborations have resulted, which moves the industry forward.
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We tend to search for new talent on the net rather than hoping that someone amazing might drop by the studio with their portfolio, which used to be the way only a few years ago.
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