Nonformat

Magnetic Man – I Need Air
Even Your Friend video
I’m New Here t-shirt
Milky Disco Three
Kharma t-shirt
The Chap – Well Done Europe
Delphic TV spot
Delphic
Dracula
Iida
Healing Haiti t-shirt
Browsing Copy
Otto font
K-Swiss
IBM Smarter Planet
Strange New World
Vowels – The Pattern Prism
Omo/The Chap 7"
Omo – The White Album
Print
Gap (RED) t-shirts
Gap (RED) gallery
Peroxide
Computer Arts
Nike Bootroom
Red Snapper – A Pale Blue Dot
The Chap – Mega Breakfast
The Chap – Proper Rock
The Chap – Builder’s Brew
Cent
LoAF – 01–12
Very ELLE
LG
Nike – Open All Summer
Greg Lynn FORM
The Economist 08
Nike Football
NY Times Style Magazine
Moog Acid
The Economist 07
Love Song

Nike SPARQ Training
Varoom
Nike – LeBron James
Coke
Orange
The Wire
Planet of the Apes
Three Lions t-shirt
Yale University Art Gallery
Look At This
Channel 4 – Pervert’s Guide
Olympik
Black Devil Disco Club
Level 2 Gallery, Tate Modern
Make A Fuss
Merlin Carpenter – Relax
The Chap – Ham
Milky Disco 2
Hatchback – Colors Of The Sun
Cursor Miner – Danceflaw
Stateless
Hellovon at Espeis
Anoice
Fader
Hanne Hukkelberg
Felt-Tip
Back To Black
Venice Biennale – Pompei
Lo Editions
Norway One Hundred
Red Snapper
Fjord Focus
Milky Globe
Asa-Chang & Junray
Barry 7’s Connectors

Internship
Employment
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Design for Music
Typography & Fonts
History of Non-Format
Art Direction & Design
Design & Illustration
Do you have different approaches for your personal work compared to your commercial work?
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Is there much difference between designing The Wire magazine and Varoom magazine?
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What are the most important things to bear in mind when working on a design?
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What is Non-Format’s design philosophy?
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What’s the most important thing you’ve learned in terms of art direction?
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Which is most important:
the big idea, the design or the production/implementation?
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When creating graphics, when is ‘eye catching’ too much?
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When starting a new project, where do you look for inspiration?
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We’ve been through a phase of revelling in baroque and heraldic imagery. What’s next?
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Why hasn’t the ‘death of print’ happened yet?
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Almost all of the work we do is commercial work. In fact, we find it quite difficult to work without some kind of brief, or budget constraint, or without having a specific message, or some kind of content that has to be conveyed. On the occasions that we’ve worked on non-commercial projects, we’ve often felt overwhelmed by having a completely open brief so we’ll often self-impose some kind of framework to make it possible for us to work.
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