Internship
Employment
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Design for Music
Typography & Fonts
History of Non-Format
Art Direction & Design
Design & Illustration

How did you get to work for the music industry?
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How do you develop your ideas for the different music packaging projects?
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Can you tell us about the LoAF CD packaging series; how did you originate this design?
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What is the future of CD and vinyl packaging, as everything goes digital?
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Can you give some advice to designers who want to get into the creative packaging industry?
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We discuss each project and allow ourselves to throw in ideas no matter how outlandish they may appear. Then we tend to decide on who’s going to begin working on a particular job first or, if we’re not too busy, both of us will work on the project individually and then swap ideas and Illustrator/Photoshop files so the other can take a fresh look, and perhaps then develop the idea further.
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When we work on packaging, we keep in mind that we’re dealing with an object and not just a number of surfaces onto which we can apply graphics. The aim is always to produce pieces where everything works together, from the visual concept to the way it feels in one’s hands.
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